August 7th, 2018 — Guests at the opening of Nicola Wheston’s show at Artspring Gallery on Saltspring Island take a very close look at one of the large panel paintings from her series, “The Beginning and the End of Stuff”. Below is Nicola earlier in the day preparing for the opening.
May 1st, 1974 — David Lambert, potter, at his home and studio in Ryder Lake near Sardis. The designs on his pottery were stick men, each one told a story, and were unique to each piece.
May 29th, 1976 — Jack Shadbolt in his studio at his home in Burnaby.
June 7th, 1973 — Eva Nahanee was one of the women who kept alive traditional west coast cedar basket weaving.
January 22nd, 2009 — Last year as I was walking through a clear cut on Vancouver Island I stopped to take a picture of two solitary trees left standing. Somehow I thought against my better judgment they made a picture but they certainly didn’t fit into any current project I was working on. When the film was developed I was sure it was just another wasted sheet of film and never printed the image. The picture didn’t work for me. Today as I walked through a show of landscape paintings at the Vancouver Art Gallery I came across Emily Carr’s “Scorned as Timber” and right away realized the reason for thinking my two trees looked like a picture, because Emily Carr had made a similar scene into a picture, and I unconsciously remembered it and duplicated it. All photographers do this, go out looking for pictures, and finding pictures that have been taken before, duplicate them. There’s little original seeing in the world of photography (painting too I suspect but know too little to comment) and few photographers admit it.